{"id":11951,"date":"2025-10-16T13:36:54","date_gmt":"2025-10-16T11:36:54","guid":{"rendered":"https:\/\/www.tornabuoni1.com\/2025\/10\/16\/arte-e-ispirazione-in-torre-anastasiia-novitskaya-alla-biennale-di-firenze\/"},"modified":"2025-10-18T16:32:39","modified_gmt":"2025-10-18T14:32:39","slug":"art-and-inspiration-at-the-tower-anastasiia-novitskaya-at-the-florence-biennale","status":"publish","type":"post","link":"https:\/\/www.tornabuoni1.com\/en\/2025\/10\/16\/art-and-inspiration-at-the-tower-anastasiia-novitskaya-at-the-florence-biennale\/","title":{"rendered":"Art and Inspiration at the Tower: Anastasiia Novitskaya at the Florence Biennale"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]On the occasion of the Florence Biennale, we had the pleasure of welcoming to Antica Torre Tornabuoni the painter Anastasiia Novitskaya, an artist who transforms light into language and nostalgia into color.<\/p>\n

Born in Ucraina, having lived in several countries, and now based in Italy, Anastasiia brings to her canvases the intensity of the places she has inhabited and the urgency of a profound dialogue with nature.<\/p>\n

During her stay at the Tower \u2014 surrounded by the living history of its walls and the breathtaking view of Santa Maria del Fiore \u2014 she shared with us her journey, her inspirations, and her project \u201cLost\u201d, a series that reflects with poetry and irony on the fate of our planet.<\/p>\n

Read the full interview to discover more about Anastasiia Novitskaya\u2019s vision and artistic world.<\/p>\n

 <\/p>\n

What do you think has most influenced the visual aesthetics of your art?<\/strong><\/p>\n

The places I\u2019ve lived in have had a huge influence on how I perceive light and color. I\u2019ve already lived in three countries, and each one has left a deep mark.<\/p>\n

For example, in Poland, I often painted sunsets \u2014 but they were imagined ones. For nine months of the year, the sky is gray and cloudy, so I created the light I was missing.<\/p>\n

When I moved to Genoa, everything changed. Here, there\u2019s no need to imagine sunsets \u2014 they\u2019re right before your eyes every day. I just observe, feel, and transfer it all onto the canvas.<\/p>\n

 <\/p>\n

Have you always dreamed of becoming an artist, or did it happen by chance?<\/strong><\/p>\n

Actually, as a child, I dreamed of becoming a veterinarian. I\u2019ve always loved animals, but over time I realized that loving them and treating them are two completely different things (laughs). It\u2019s an extremely demanding profession that requires nerves of steel and a huge heart.<\/p>\n

Drawing, on the other hand, has always been something I loved. At school and university, all my notebooks were filled with sketches along the margins. It was always my way of expressing emotions and observations. Over time, I understood that being an artist is my true calling.<\/p>\n

 <\/p>\n

What do you think people can take away from your works?<\/strong><\/p>\n

I believe that every viewer can find something unique and personal in my paintings. Some recognize their own emotions or memories, others see them as a source of inspiration or reflection on our relationship with nature. And some simply let themselves be carried away by the harmony of colors and shapes.<\/p>\n

My goal is to create works that speak to everyone on their own emotional level. I believe art has the power to unite, make people reflect, and stir emotions \u2014 and I hope my work contributes to that universal dialogue.<\/p>\n

 <\/p>\n

What are you working on now? What themes are you exploring in your art?<\/strong><\/p>\n

At the moment, I\u2019m trying to raise awareness of the fact that ecology is in danger. We\u2019ve reached a point where observing is no longer enough \u2014 we must act. That\u2019s how my project Lost was born. Through it, I want to show how I see the future if humanity doesn\u2019t change course \u2014 to draw attention to the complexity and urgency of the problem.<\/p>\n

In the Lost series, we find ourselves in a world that, at first glance, seems familiar and even welcoming. But it\u2019s an illusion. Each painting portrays an astronaut engaged in everyday gestures \u2014 having lunch in a caf\u00e9, swimming in the sea, reading a book. Warm, luminous scenes\u2026 until you look closer.<\/p>\n

These works are not just images: they\u2019re a mirror of the future, a warning of what could happen if we don\u2019t protect our planet. The astronaut is the witness of lost humanity \u2014 a symbol of solitude and hope. He\u2019s not an astronaut in the traditional sense, but a survivor for whom the suit has become the only way to exist on Earth.<\/p>\n

The series invites us to smile, but also to reflect. It shows that even in the most tragic conditions, human beings can preserve irony and optimism \u2014 but it also reminds us that each of us carries responsibility for the planet\u2019s future.<\/p>\n

 <\/p>\n

The ecological theme is already widely discussed. What can you say that hasn\u2019t already been said?<\/strong><\/p>\n

I believe our real problem is overconsumption. We don\u2019t need to change everything \u2014 we just need to reduce what we consume.<\/p>\n

I don\u2019t want to be associated with certain eco-activist movements because I don\u2019t share their methods. When they throw paint at paintings, they destroy cultural heritage \u2014 and that\u2019s wrong. They want to draw attention, but they do it through destruction, and that only causes irritation.<\/p>\n

Real actions should be directed not against art but towards those who make decisions: governments and corporations \u2014 the true culprits of environmental damage. In short: humanity\u2019s main problem is excess consumption.<\/p>\n

 <\/p>\n

What directions are you exploring? Which of your series do you love the most?<\/strong><\/p>\n

It\u2019s hard to choose just one \u2014 each series is like a chapter of my life.<\/p>\n

I adore my Victorian Animals series: each one has its own character, emotion, and little story.<\/p>\n

Flowers, on the other hand, hold a special place: they\u2019re always bright, full of light and breath, like a promise of rebirth.<\/p>\n

My landscapes are also dear to me \u2014 I believe anyone can recognize a familiar place or emotion in them.<\/p>\n

Lately, I\u2019ve also been exploring abstraction. It\u2019s more challenging for me, but I think an artist\u2019s life without experimentation would be terribly boring.<\/p>\n

 <\/p>\n

Does it happen that the public interprets your work without knowing its context? Do you like that freedom?<\/strong><\/p>\n

I love it. Sometimes the viewer sees something completely different in my work than what I intended \u2014 and I find that wonderful.<\/p>\n

Art, to me, should live its own life once it leaves the artist\u2019s hands.<\/p>\n

If someone feels an emotion, even without knowing the story, then a dialogue has already happened between us.<\/p>\n

Let everyone find their own reflection in my work \u2014 that\u2019s the magic of art: it becomes a mirror in which each person sees themselves.<\/p>\n

 <\/p>\n

Which artists inspire you?<\/strong><\/p>\n

I started by trying to reproduce the seascapes of Aivazovsky. I was fascinated by how he painted light \u2014 not as a reflection, but as the breath of nature.<\/p>\n

Then I discovered Van Gogh: his use of color and texture taught me that a brushstroke can be an emotion, not just a technique.<\/p>\n

Finally, Renoir \u2014 with his soft light, warmth, and humanity.<\/p>\n

Perhaps in these three artists lies everything I feel closest to: the power of the elements, emotion, and that light that lives within the human being.<\/p>\n

 <\/p>\n

What are your plans after the Biennale?<\/strong><\/p>\n

First of all, I want to take a deep breath. The last few months before the exhibition were incredibly intense, full of work and preparation.<\/p>\n

After such a hectic period, I\u2019d like to focus on creating a personal project: a 3D installation composed of seven paintings, each accompanied by an object designed to expand the meaning of the work in real space.<\/p>\n

The works will create a narrative path: visitors will walk through seemingly ordinary scenes while perceiving the ecological collapse hidden beneath a layer of irony.<\/p>\n

In this installation, painting meets objects \u2014 plastic, Polaroid photos, books, everyday items \u2014 so that the viewer not only observes but also interacts and immediately grasps the meaning of each scene.<\/p>\n

 <\/p>\n

Antica Torre Tornabuoni is a place where art meets history. How did you experience this dialogue between your contemporary art and such a rich, historic environment? Was there a moment or detail from your stay that you\u2019ll carry with you as a source of inspiration?<\/strong><\/p>\n

Antica Torre Tornabuoni impressed me with its authentic and welcoming atmosphere. The people who work there are incredibly kind and helpful, and you can immediately sense a deep respect for art and artists.<\/p>\n

The terrace became my favorite spot: having coffee there while looking at Santa Maria del Fiore is a moment of pure inspiration.<\/p>\n

I think I\u2019ll carry with me that feeling of calm and beauty \u2014 something only Florence can offer.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]On the occasion of the Florence Biennale, we had the pleasure of welcoming to Antica Torre Tornabuoni the painter Anastasiia Novitskaya, an artist who transforms light into language and nostalgia into color. Born in Ucraina, having lived in several countries, and now based in Italy, Anastasiia brings to her canvases the intensity of the 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